The Every

I created one of several artist-designed covers for Dave Eggers’ delightfully creepy new book, The Every.

Available only from independent bookstores. “I don’t like bullies,” Eggers explained to the New York Times. “Amazon has been kicking sand in the face of independent bookstores for decades now.”

See other covers here.

 

Fanny Packs

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Fanny packs are here! This stylish addition to your fall look is great for snacks, contraband, dog treats, or candy to give away to strangers.

CLICK HERE

Get on it or contend with a vague sense of loss.

Candy not included, sorry.

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Hats

I’ve always wanted to be a hat salesman.

Available exclusively at
http://www.tuckernichols.com/hats

Limited edition.
Designs to change without warning.

 

Two sided mural at Story Mill, Bozeman

Double sided mural installed in the majestic Story Mill in Bozeman, Montana as part of this summer’s Tinworks exhibition, on view through Sept 5. Also shown, special performance by Grammy winning chorale group The Crossing, who sang in front of each side.

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Photos by @yonkeangela (1) @eliridgwaygallery (2) @blairspeed (3,4)

Tell Them We Were Here

I'm happy to have been included as one of eight artists in this new documentary by Griff and Keelan Williams. Tell Them We Were Here looks at what makes San Francisco a special environment for artists. It's about the creative legacy of this city, but more than that, it's about the permission artists here feel to forge their own paths. The other seven artists are among my favorite anywhere. I hope you'll watch it.

You can stream it for $12 via the Berkeley Art Museum here:
https://watch.eventive.org/bampfa/play

More info about the movie, including early press and profiles of the artists:
https://tellthemwewerehere.com/#Artists

New Yorker spot drawings

As someone who makes little drawings all day, I've always loved the spot drawings in the New Yorker. I see them as an exhibition of artwork you aren't supposed to notice on display in the most prestigious gallery. It is a total thrill to have these nine drawings in the magazine this week. Thanks to the talented people at the NYer who somehow make a near perfect issue every week.

Free print project from SFMOMA and SFPL

Tucker Nichols
Flowers for you, 2021
Four screenprints on heavy card
Commissioned by SFMOMA and the San Francisco Public Library
Reserve yours HERE

I'm excited to announce the release of an experimental print project called Flowers for you. This edition of four screenprints is being distributed for free via the San Francisco Public Library system. Anyone with a library card can reserve a print here and pick it up from your local branch. Like library books, no one owns these prints. You can keep yours as long as you want, with the understanding that at some point, you'll pass it along to someone else who could use some flowers.

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Wall drawing at Gallery 16, San Francisco

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Boomtown

Video related to a large scale installation at the Sun Valley Art Museum, Spring 2020

Tucker Nichols
Boomtown, 2020
Wood, paint, mixed media

The Post Office

From Noah at Electric Works in SF:
Tucker Nichols and Electric Works love the USPS. With a 91% approval rating by the US public, seems like lots of other folks do too. 

To hear about the USPS being torn asunder by those in charge was certainly a lowlight of the year that brought us many lowlights. Rather than sit around our houses under lockdown and let the bad feelings eat us up alive, we decided to do something about it.

Here is that something: a t-shirt celebrating the great service the United States has fostered for hundreds of years. 

Here are some people who worked at the post office over the years: Abraham Lincoln, William Faulkner, Charles Bukowski, Harry S. Truman, Sherman Hemsley, Steve Carrell, John Prine, Conrad Hilton, Brittany Howard, John Brown, N. C. Wyeth and even Noah Webster.  

The postal service is a major character in US history. It’s more than just an employer and service provider. It has personality, magic and mythology.  Need a short read, please spend some time with Eudora Welty’s “Why I Live at the P. O."

Proceeds from these t-shirts go to Ameelio, a non-profit whose mission is to "decouple incarceration and profit, and combat mass incarceration.”  Meaning, they keep incarcerated family members in touch with their loved ones for free.  To date, they have sent over 42,000 letters to inmates for free. 

Read on: Nearly one in two Americans has a family member who has experienced incarceration. When a loved one is imprisoned, staying in touch is vital. Yet prison communications options remain prohibitively expensive.

The $1.2 billion prison telecommunications industry is one of the most under-reported bad actors in the criminal justice space. 

Private telecommunications companies exploit vulnerable families’ desire to remain connected while separated by incarceration. These providers are profiting primarily from low-income families: one in three families with incarcerated loved ones are forced into debt due to the costs of maintaining contact.

We want to reconnect incarcerated people and their loved ones, for free. Our vision is to disrupt the prison telecommunications industry by outcompeting incumbents with services that prioritize users over profits.

There is strong evidence that sustaining contact during incarceration improves post-release outcomes and reduces recidivism. We hope that in the long term, our services will significantly shrink prison populations.

Read more about them here.  

So please let “neither snow nor rain nor heat nor gloom of night” stay you from swift completion of your ordering these shirts

 

You're Fired postcard set

Double sided postcard set, pre addressed and waiting for your stamp

 

Brought to you by the good people of Park Life in San Francisco

Screen printed by the wizard Nat Swope at Bloom Press in Oakland

Let the postal workers know where you stand

Catalog text from "American Genre" at the ICA, Maine

From the exhibition:
American Genre: Contemporary Painting
Institute of Contemporary Art, Maine
July 20 - September 15, 2017
Curated by Michelle Grabner

Tucker Nichols, Untitled (BR16114), 2016 Enamel on panel 18 x 24”

Tucker Nichols, Untitled (BR16114), 2016
Enamel on panel
18 x 24”

 

Digestion Placemats
Tucker Nichols, , 2019
6 printed placemats on cork, 12 x 16” each
$150
Published by Workshop Residence, San Francisco
Available here

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Digestion Placemats
We generally don’t like to think about digestion, especially while we’re in the process of doing it. But ultimately it’s what makes eating so appealing—the magic of taking food into our bodies and blindly extracting each essential part to give us raw energy. I designed these placemats as a way of introducing the most basic elements of digestion into the dining experience: tubes and bits. If it didn’t seem so disgusting, we would no doubt find it delightful. I hope your next meal with loved ones can celebrate the pleasure of a delicious meal and the miracle of turning food into life.  —  TN

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Feeling despair about the state of things? This listicle from McSweeney’s can help:

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